Diptych Vases
The project starts from a folding exercise. A paper-based technique is transposed into ceramic, preserving the tension and direction of each crease. Made in enamelled earthenware, the forms retain the rhythm of the original folds while adapting to a new material logic.
FLOOR LAMP
A lighting device built around rotating stems. Each arm tilts and turns up to 330°, allowing the direction and intensity of light to be adjusted. Movement is not an effect, it’s the structure. The lamp responds to space through continuous repositioning. A foot-operated dimmer controls the light from soft ambient to sharp beam. The user sets the rhythm.
FOLDED TOTE
Made from Apparition, a translucent leather developed by Ecco Leather through a process that combines oils and glycerin to revisit ancient tanning techniques. The material is still in a prototypical phase: difficult to sew, impossible to glue, and highly sensitive to manipulation. This bag explores its limits. Cut from a single rectangle and assembled without seams, adhesives or stitching, it uses no construction beyond the material itself. Inspired by furoshiki, the object is held together by tension alone. Intervention is kept to a bare minimum, letting the constraints of the leather dictate both process and form.
LEATHER BAGS & ACCESSORIES
A collection of bags and accessories shaped by everyday use. Each piece responds to a specific gesture or situation, balancing practicality with a clean, minimal language, allowing function to define the structure without excess decoration.
CHAIR & ARMCHAIR
Born from the need for a chair that works both indoors and out, this chair takes cues from 1970s seaside furniture. The structure is reduced to clean lines and visible joints. The rope seat and backrest introduce flexibility without compromising support. Light, durable, easy to move.
WOVEN BASKETS
Large rattan jars handwoven in heart cane. Each piece varies in form and tension, shaped freely by the maker. The scale moves the object toward sculpture. Inspired by African basketry, the project links material, gesture, and manual construction.
OUTDOOR POTS
The collection borrows the form, material and dimensions of Parisian chimneys, shifting them from rooftop to interior. Removed from context, they become containers for domestic or outdoor use, echoing the skyline they come from.
WALL MIRROR
Wall mirror with a deep wooden frame that works as a small shelf. Holds keys, coins, or other daily objects. Placed near the entrance, it reflects and contains.
SHELF
A wall shelf that plays with balance. Suspended from a single point, it tilts gently under weight, turning display into a quiet act of equilibrium. The structure is reduced to three elements: a curved solid ash plank, a steel hook, and a taut cord.
COAT RACK
The project starts from 20 wooden hangers and a rope, rethinking the coat rack as a suspended structure. The hangers are interwoven to create a flexible grid that supports garments without a fixed frame. What’s usually hidden becomes structural. Clothes define the shape. The system is essential, open, and easy to replicate.
